Friday, 27 September 2019

CP1919 by The Brooklyn Foundation (2019)



2019 saw the 40th Anniversary of Joy Division's 'Unknown Pleasures', the cover of  which features a pulsar sound-wave, the diagram of which was entitled 'CP1919'
n Burke
The audio of this sound wave was made available by Jodrell Bank on the 40th Anniversary and I shared this with a friend, and musician, Alan Burke, who chose to create a unique piece of music linking the pulsar and the sound of Joy Division... 

This piece was written for the Cerysmatic website to celebrate this

https://cerysmatic.factoryrecords.org/2019/09/cp1919-by-brooklyn-foundation.html



To celebrate the 40th Anniversary of Joy Division's 'Unknown Pleasures', Jodrell Bank released the pulsar sound wave [->] which was famously used by Peter Saville on the cover.

As his own homage to the album, Alan Burke, aka The Brooklyn Foundation, used the sound wave as a starting point before layering this with his own dark electronic tones and ghostly vocal clips of the late Ian Curtis

The CP1919 sound wave was perfect as a percussion element. Detuned and processed, then turned into a rhythm part alongside a recreation of the famous Roland TR808 kick drum and a digital recreation of the Linn LM1 drum machine (see also: Prince, The Human League).

Alan Burke explained that he wanted huge spaces in the piece so big reverbs were obviously required and used in abundance. Alongside hardware synthesisers by Roland and Arturia, he used Logic Pro X for a bass part and building elements of the tune. The whole thing was recorded in 1 day!

Alan has been a musician for over 36 years with varying degrees of success. Having enjoyed some notoriety in the 90s, he's worked with many musicians and vocalists supplying "his own brand of musical and technical nonsense".

More recently, Alan was asked to record 3 tracks as a tribute to the artists on the Mute record label. He chose 3 tracks by the seminal English electro due, Yazoo. He says he enjoyed the challenge and the tunes were "very well received, very well thankfully".

All of The Brooklyn Foundation's music is written and recorded in Alan's home studio in Salford, Greater Manchester, which I'm sure has no bearing on his love of Joy Division or New Order!

Tuesday, 17 September 2019

That Factory Tune by Vincent Davies (2019)

Not one of my own pieces

I was proud thought to facilitate this getting published on the Cerysmatic website for my mate Vinny

The poem was written specifically for the 40th Anniversary Celebrations of Factory Records

https://cerysmatic.factoryrecords.org/2019/09/that-factory-tune-by-vincent-davies.html

That Factory Tune by Vincent Davies


'That Factory Tune' is a poem by Vinny Davies which was commissioned by Councillor Chris Paul from Manchester City Council in liaison on the Factory side by Esther Ford.

March from Middleton, descend from Hulme
Walk from Withington to the factory tune
Mooch from Moston, do the Ancoats sway
We're all gone move in a Curtis way
Leave time to get from Levenshulme
Or rush from home
Dawdle from Didsbury, to the sound that we own
Hurry up from Urmston, or thumb it from Hyde
Not far from Ardwick, just one bus ride
Bounce down from Beswick, see what people say
Push boundaries, and soundaries in a Wilson way
It's black and it's yellow, it's played on the moon
That Manchestic, Majestic Factory Tune

- 'That Factory Tune' by Vincent Davies

Monday, 16 September 2019

'New Dawn Fades' Play Review (2019)



A review of Brian Gorman's play about Joy Division which I went to see at 'The Dancehouse' in Manchester

Written for Cerysmatic

Was particularly chuffed when I found that Joe Walsh has actually used what I'd said about his portrayal of Ian Curtis on his 'Spotlight' page... 


New Dawn Fades - play review

"A Play About Joy Division and Manchester"... I'd imagine that most if not all the audience in attendance tonight are well versed in the short history of the band and and are familiar with the music released between 1978 and 1980. It would be easy to suggest that the writer and producers are pushing against an open door... but in effect I think the opposite is actually true.

There is so much love for the legacy of the band and the characters portrayed in this performance celebrating 40 Years of Unknown Pleasures that the stakes are actually higher along with people's expectations.

This was the 2nd performance of the 3 night run in Manchester before moving to Sheffield and London, and for the 2nd night the performance finished with a standing ovation... and boy was it deserved.

Every actor involved nailed their part.

Alan Donohoe effortlessly portrays Tony Wilson, coming across as the "TV Tony Wilson" I grew up with on Granada TV rather than the slightly larger than life caricatures in the two films produced about Factory and Joy Division.

Joseph Walsh delivers a complex and tortured Ian Curtis which also highlights the artistic and fragility of the man. His chaos and confusion portrayed in the Derby Hall scene especially is heart-breaking.

Leah Gray is wonderful as Deborah Curtis, moving from doting girlfriend to angry jilted wife and mother. Although not on stage quite as much as the male characters, Leah delivers a couple of the of the most powerful scenes in the whole play, the first being just 2 words, one line, a question... "Who's Annik?" which cuts through the silence in the auditorium, people almost holding their breath. The second, comes just before the tragic conclusion as Debbie and Ian trade lines from 'Love Will Tear Us Apart' giving the audience a sense of the genuine pain and frustration being felt in Macclesfield in 1980 by the young couple

Harry McLafferty, Bill Bradshaw and Matthew Melbourne play Bernard, Hooky and Stephen to great effect, all having the character traits you'd expect if you've seen the numerous interviews and portrayals of the would be New Order. The trio are often found bouncing off each other and have some of the best lines and put downs but also get their own 'deep moments' especially when coming to terms with the issues which had been faced by their singer.

Directors Sean Mason and Giles D. Bastow also appear, the latter as Rob Gretton who channels the late manager of the band as well as Paddy Constantine in 'Control' and as recognisable as the man himself from the footage and interviews that can be found in the likes of 'New Order Story'. The former actually takes on 11 roles throughout the play, many as comic relief and the butt of jokes. However, he's a superb as producer Martin Hannett (clearly taking joy in the immortal line "play faster... but slower.")

Writer Brian Gorman appears in cameo roles via filmed inserts as Roman General Julius Agricola and also Dr John Dee helping Alan's Tony Wilson to provide the history of our wonderful Northern City.

But it's not just the acting… as you may expect, the sound and lighting play a massive part and are also spot on. With the stage set being quite sparse, other than the band's equipment and a few crates and chairs and the occasional microphone, The deft audio and visuals really put focus on the actors and allows them to really excel in their roles and take the audience on a journey through the highs and lows to the inevitable end.

Whilst not taking anything away from '24 Hour Party People' or 'Control', 'New Dawn Fades' feels like 'THE' authentic telling of the Joy Division story. This maybe because it's delivered "live and direct" rather than on a screen. There are scenes that uncomfortably come to life, such as those when Ian first has a fit, or as mentioned previously Debbie and Ian trade lyrics as their marriage crumbles really hit home.

I would highly recommend people catch this if they get a chance in this short run.

I attended with my 12-year-old who loves Joy Division's music and has seen the films (OK so there is a fair bit of swearing and death in the play but he already knows the story and hears worse at football) and a friend of my age.

My son wants to see it again at some point in the future and enjoyed it because it "felt real" and "like it was there".

My friend's review (which you'll be glad is significantly shorter than mine) was... "Proper good".

Go and see it if you can.

- review by Iain Key for Cerysmatic Factory

Saturday, 31 August 2019

FACT 37 Joy Division 'Here Are The Young Men' (2019)



This piece was written after a conversation with John Cooper at Cerysmatic

Brian Nicholson (former IKON) employee also kindly added to it following comments made in my initial piece


FACT 37 - Joy Division - Here Are The Young Men

I was late to discover Joy Division. I'd heard 'Love Will Tear Us Apart' on the radio and vaguely remember hearing 'Transmission' but it wasn't until a slightly older friend, learning that I had liked New Order's then recent output leant me a copy of the 'Ideal For Living' book, sometime in late 1984, did I join the dots between the 2 bands.

The book was extremely detailed regarding gigs and releases and built up a mystique around the band and 'the myth' which has been somewhat dismantled over more recent years with the number of biographies and autobiographies produced that cover the lifespan of the band

One of the most interesting discoveries being that a video existed with footage of the band... although I had no way of knowing how or where to get it. This was 1984, however, and to a 14-year-old living in the West Midlands surrounded by Duran Duran and Frankie Goes To Hollywood fans just knowing the name Joy Division and a little of their legacy felt like being a member of a secret club.

The following year I moved back to Manchester, albeit the suburbs, and enjoyed trips into the city centre with friends. Although initially venturing into the likes of HMV or Virgin at the bottom of Market Street, or Our Price at the top. After buying what official releases I could find I was quickly turned on to the bootleg stalls in the Underground Market and the Corn Exchange.

I was amazed at the hundreds of tapes available of gigs (this was slightly before CDs were a thing) from around the world, but was dumbstruck when I saw the massive lists held by the traders of Joy Division and New Order recordings. It was when looking through these that I remembered this VHS release.

I asked around and eventually got an address to order it from, from memory it was less than £20 including postage, which was a lot, but worth it for what would be my first 'view' of Joy Division (other than a rare sighting of 'Love Will Tear Us Apart').

When the video arrived the first thing that struck me was the lack of detail (other than band name and song titles) but the same stylish design of other Factory Releases, this time a simple gold lettering on black. It wasn't for many years I learnt that the Fractured Music logo was the band's publishing company and not a Factory Records logo. Pouring over the song titles I recognised some but not all and eagerly put it into the bulky top-loader for the first viewing...

Hopefully I'm not speaking out of turn but my first impression was that I'd been sold a dud, at worse a bootleg. The quality of sound and vision was not what I had naively expected. These were the days before the Internet so other than being able to speak to someone who had heard or seen something there was no way of googling through online customer reviews or just searching YouTube.

Inside the box (the plastic one and not the original flip top) there was a piece of paper with the name of 'IKON Video' on... and a phone number... 061 928 7387.

I'll never know who answered the phone the day I called, possibly it was Malcolm Whitehead* who was responsible for much of Factory's video output... whoever it was, when I questioned the quality of the tape I'd received initially laughed. I guess they must have sensed some disappointment in my voice, and for the next few minutes explained the background to the material and how it'd had been shot "amateurishly" and in all honesty I should be grateful for what footage existed (in hindsight that may have been more of a "fuck off and leave us alone" than the way I took it).

Watching it occasionally now (albeit from a copy I have transferred onto DVD) I am indeed extremely grateful that an hour of Joy Division performing live does exist alongside the few TV appearances.

I wish they were clearer, I wish the sound was better, I wish there were more...

No matter what has been written by band members or associates over last 20 years or so, for me 'Here Are The Young Men' returns some of the initial mystique that surrounded Joy Division through the shadowy, blurred footage, and for the majority of us who weren't old or fortunate enough it's one of our only opportunities to see Ian Curtis in action.

We should all be extremely grateful.

- Iain Key for Cerysmatic Factory

* - Brian Nicholson (ex-Ikon) comments: "I've heard similar tales of woe before. There was a return VHS marked up "poor quality" with a covering letter from Harrods that was displayed proudly on the office wall (sadly I can't find it). It wasn't Malcolm on the phone and it wasn't me either. In 1984 Ikon still occupied the large middle room at Palatine Road, the room with all the boxes of vinyl! (That's another story) It may have been Tim Chambers but more likely Mike Scott who did all the office work. There's a great NME review, referring to it as FAC 23 Here Come the Young Men, "...they're (Factory) still marketing the sort of stuff that most people would throw in the bin."

--

Catalogue entry details via factoryrecords.org [->]

VHS: UK 1982 (Factory FACT 37) [PAL/NTSC]
BETA: UK 1982 (Factory FACT 37)

3:10 Decades
6:12 Dead Souls
3:37 Love Will Tear Us Apart
3:33 Shadowplay
4:28 Day of the Lords
2:25 Digital
2:24 Colony
2:23 New Dawn Fades
3:00 Auto-Suggestion
3:07 Transmission
4:46 Sound of Music
3:42 She's Lost Control
2:28 Walked in Line
8:30 I Remember Nothing
3:26 Love Will Tear Us Apart *

* Official promo video

FACT 37 Joy Division 'Here Are The Young Men'

Many thanks to Iain and Brian.

Wednesday, 21 August 2019

RIP Tim Walsh (2019)

Written for Cerysmatic at the invitation of John Cooper in August 2019

Possibly one of the most difficult things I've had to write. It probably could have been better, it is very brief...  but it was from the heart...

https://cerysmatic.factoryrecords.org/2019/08/rip-tim-walsh.html

Tim Walsh (Northside) - pic credit AJ Barratt
Pic credit: AJ Barratt, NME, 11 May 1991

It came as a shock to hear that Tim Walsh, lead guitarist of Manchester band Northside had passed away suddenly on the evening of 19 August 2019.

Most people will have heard of Tim due to his time during the early 90's as a member of Northside.

The band signed to Factory Records, released 3 successful singles and a Top 20 Album, 'Chicken Rhythms' and, for those of a certain age in the North West, provided the music for 'Granada Soccer Night'.

The band toured extensively across the UK, Europe, America and the Far East building a loyal fanbase who rapturously welcomed the band back to the live circuit in 2014.

I met Tim on a number of occasions and always found him to be friendly with a great sense of humour, very humble and almost unaware of the natural talent he had.

As well as being a accomplished guitarist he was also a highly skilled sound engineer, working for over 25 years for Mersey TV, initially on 'Brookside' before moving onto 'Hollyoaks'.

There have been many tributes over the last 24 hours on Social Media, from the band, musicians, and fans. This one from a member of the Hollyoaks cast says it all...

"So shocked and sad, we lost and amazing, gentle generous, cool great guy today. So many people will truly miss you."

RIP Tim, gone too soon.

Monday, 1 July 2019

Microdots - Press Release (2019)

Press Release done as a favour for a new Manchester act...



Microdots are a new Manchester duo who have been described as ‘Psychotomimetic’.

For those of you without  Google to hand that means “relating to or denoting drugs which are capable of producing an effect on the mind similar to a psychotic state”

Seeing and hearing Chris and Mark perform it’s easy to understand why… their Electronic House sound is heavily influenced by the likes of their home cities rave pioneers 808 State alongside other renowned ‘rave’ duos such as Orbital and Chemical Brothers with a decent drop of Prodigy thrown in for good measure

Although live performances have been limited so far, Microdots have begun to find an audience who appreciate what they do, or ‘playing funky hop breaks, some post punk and mad psychedelic sounds’.

Last year saw them on the bill for the Lancashire based Austerlands Festival supporting respected Manchester Hip Hop Collective ‘The Mouse Unit’ on a bill which also featured legendary Hacienda and Boardwalk DJ Dave Haslam as well the official 808:30 AfterParty

There are selective gigs and festivals coming up during the Summer as the boys prepare to unleash new material on to the unsuspecting public

Microdots ultimate aim is to get people dancing whether it be in a warehouse or a field, as Chris says ‘there is no bigger buzz’…

Listening to them they’re sure to hit the target

Friday, 24 May 2019

Doctor Who - Pyramid At The End Of The World (2019)


This is like the black sheep of everything I've written (if that doesn't draw you in I don't know what will)

It was published in the 'One More Lifetime A You And Who Miscellany' but even now re-reading it I think its a bit muddled and I'm not sure that I managed to get across what I was thinking onto paper...





Pyramid At The End Of The World

Since the return of the show, most Doctor Who episodes I manage to watch on the day of broadcast, either ‘live’ or slightly afterwards when kids are in bed or I know there are going to be no distractions. It’s become a thing that when I watch Doctor Who I tend not to speak for the duration of the episode (although it’s rare that anyone will watch with me), thus allowing myself being absorbed into it, taking in all the details, the Easter Eggs and nods to fandomI imagine I’m not the only one, I’m sure many fans have habits or quirks when sitting to watch their favourite show

With ‘Pyramid At The End Of The World’, my viewing of episode had to wait. I couldn’t watch it on the Saturday evening as I was attending the ‘British Soap Awards’ as the guest of one of my closest and oldest friends, Paul (Liam) Fox, and at the episodes scheduled start time of 19:45 I was chatting to and having my photo taken with none other than David Bradley (I know this was at this time as my phone tells me!) For me meeting David, and earlier in the evening getting a hug off and photo taken with Bonnie Langford were the highlights of my evening despite being surrounded by 100’s of ‘talented’ and probably more ‘famous’ faces





So it came to be on the Sunday morning, still a little hungover and feeling fuzzy, basking in the afterglow, I sat down on the sofa to watch the previous nights episode… 

Except I didn’t, not really. 

It was on, but I can’t actually remember that much about it other than thinking afterwards that Tony Gardner was wasted in such a ‘small’ role and potentially would have been better playing a reoccurring character

For the 46 mins of the episode, and a few more after until my battery stared to die, I was looking at my Facebook, reading peoples comments on the pictures I’d posted from the night before, many recognising the likes of ‘Ian Beale’ and ‘Steve McDonald’ but not ‘Mel’ or ‘Solomon’ / the would be ‘William Hartnell’. 

Only paying an occasional glance to the TV, I read, I tweeted, I uploaded to Instagram… that said I’m not an autograph hunter or celeb selfie stalker, I’m fortunate that I have opportunities in life where I have worked with people who are in the public eye and have old friends that ‘live’ in that world. 

Sitting here several months on, I’ve not rewatched ‘Pyramid At The End Of The World’ or even the following weeks ‘Lie Of The Land’ despite owning the DVD Boxset and rewatching the rest of the season… to be honest the thought ‘I should rewatch…’ has never even entered my consciousness

Why? because they didn’t grip me on first showing and I didn’t enjoy them

So that got me thinking what kind of ‘fan’ I am… I have all the DVD’s, all the Target Books, a number of ‘non fiction’ books, I read every issue of Doctor Who Magazine… 

I regularly listen to Radio Free Skaro; the ‘Who’s He’ Podcast; Flight Through Entirety; and of course the Blue Box Podcast… but that said, I don’t spend every spare hour searching out interviews online, I don’t have a burning desire to go to conventions or to cosplay… ?

Does this make me a heratic?

Does this mean I’m not a ‘true’ Doctor Who fan

Should I be willing to rewatch every episode at any opportunity and be prepared to defend them to people who criticise the show

No… 

For me Doctor Who is something that’s been with me since I was old enough to watch television and make a decision of what I wanted to watch but not knowing why

It allowed flights of fantasy through my teenage years through the Target Books and various incarnations of Doctor Who Weekly/Monthly

In later years, when things have sometimes been tough it’s given me something to lose myself in and comfort meIt allowed me to a ‘cool Uncle’… passing my VHS tapes to nephews as I replaced them with DVD’s

And more recently it’s given me something to pass on to my youngest son, something for us to share as well as our joint love of football and music

Whilst some will have different views on what fandom is and how it can be measured… whether on pounds / dollars spent, number of conventions attended or autographs collected for me it just comes down to the love of the show and what it means to the individual

For me, for every ‘Pyramid At The End Of The World’ there is a ‘Horror of Fang Rock’ or ‘Earthshock’ which I’d rather watch… for someone else thought this could have been their first story and one which they’d prefer to watch over and over

At the end of the day, we’re all different shapes and sizes, all have different ways of doing things and thinking, but the great thing about Doctor Who is that it’s all inclusive… we may not all like every episode… but we will the next, or the one after that…

So I’m happy, I am a Doctor Who fan… and that’s not going to change anytime soon

My Mum, Who and I (2016/17)






















This piece was originally written in 2016 and revised in 2017 for a project called 'You And Who's Company' which studied the your relationship / love of Doctor Who and how it linked to another person...

It was published in an a 2019 volume "One More Lifetime: A You and Who Miscellany"



https://www.amazon.co.uk/dp/1097944735/ref=pd_rhf_gw_p_img_1?_encoding=UTF8&psc=1&refRID=PA67W368VXQ5M30N7R1P&pldnSite=1

My Mum, Who and I


I was born in the winter of 1969 in the months between ‘The War Games’ and ‘Spearhead From Space’ (or if you’re a comic strip enthusiast, during ‘The Night Walkers’ serial in TV Comic). I’m the fourth of four children with a gap of seven years and the result, allegedly, of a Royal British Legion reunion earlier that year (or possibly a power cut)

My earliest memories are beige tinted, backed with floral wallpaper and extensively feature the Wombles and my mother searching for candles under the kitchen sink as the electric had gone off again (that’s condensing most of the early 1970’s into a couple of lines… I’m sure many people of a certain age can relate though!)

My first memories of Doctor Who come from the brief trailers shown after Grandstand on a Saturday afternoon. If I was lucky, the single black and white TV in the house hadn’t been switched over to ITV for ‘World of Wrestling’ or just off as no one was watching it (whilst BBC2 did exist I can’t remember it ever being watched)

Occasionally, I’d get to hear the first strains of the famous theme starting of the programme; however this was often a cue for my parents or an older sibling to come into the room to switch the TV off or over…

I vaguely remember Jon Pertwee being the Doctor. Not from the TV Show though, I remember him being on the back cover of my Mum’s ‘Baking Your Cake and Eating It’ book which she’d got from the Co-op (probably by collecting coupons)
My proper, earliest, bona fide, nailed on memory of Doctor Who on the TV though was the trail for ‘The Android Invasion’ where it’s revealed Styggron’s androids have weapons in their fingers. I remember this clearly as I immediately ran to the kitchen to tell my Mum who was cooking tea and asked if I could watch it, ‘No, it’s too scary for you, you’re only 5… maybe when you’re 6’ was the response

That Christmas my Mum must have felt sorry for me missing out on being allowed to watch the show as one of my presents was the ‘War of the Daleks’ board game. It was brilliant, small plastic Daleks, little cardboard Doctor’s in plastic stands… It was the best present ever (until I got a Palitoy ‘Millennium Falcon’ in 1982) but tragedy soon struck. I have long blamed my sister Cathy for what happened next but maybe it was actually a manufacturing fault… during the first play of the game the plastic middle section of the board was twisted (as in the rules of the game) and snapped off. I was inconsolable. My Mum took the game back to the shop to get it replaced only to find that this had been a common issue. They never got any more stock. Until the dawn of the Internet my only visual memory of the game was a photo taken that Christmas Day of me, my Mum and sisters settling down to play it in our beige floral living room.



Moving on a few months to August 1976, a holiday in Bournemouth (although I think it was only my parents and I there). Following an exhaustingly long train journey from Manchester  for whatever reason our first stop before the guesthouse was WH Smiths… and there it was, being sold off … ‘The Amazing World of Doctor Who’. I pleaded with my Mum to buy it with the rationale I’d been behaved for the previous six hours or so and it was raining (I always found that if I wanted something it was better to ask Mum so she could persuade my Dad if there was a chance he’d say no!)… She agreed and sent my Dad off to pay 50p or whatever for it.
That week I spent every opportunity to study the art (‘The Sinister Sponge’ still looks scary for what was essentially a kid’s publication) and learning what I could about the Doctor, Cybermen, Draconians etc

I was hooked… but it would be another year, when I was 7 before I was deemed old enough to watch an episode… although it was more by chance than design. That day was 11 August 1977… episode 2 of the repeat showing of ‘The Deadly Assassin’… Mum and Dad were outside chatting to my Uncle Ken who’d taken me out somewhere for the day and had left me in the living room to my own devices, the precedent was set, and from ‘The Horror of Fang Rock’ through until the last episode of ‘Trial of A Timelord’ I watched every episode on original broadcast. I remember that it was this day clearly, not only as the Internet tells me that the programme was repeated on this day but because I was bought a small ceramic hedgehog from wherever I’d been on the day out… I still have this and the date it was bought remains written on the underside for posterity
Actually, go back a bit; I tell a lie, I also missed Episode 2 of ‘Keeper of Traken’ in 1981 as I went to see Manchester United lose away at Leicester City. This in itself was memorable for the wrong reasons, not only was it the first ‘away trip’ I’d ever been on, not only did we lose but it was the first time I’d seen heavy handed police tactics in force as they boarded our Supporters Coach on arrival at the designated parking area, literally turned out everyone bags, resulting in carefully packed lunches, knitting and my copy of ‘The Monster Of Peladon’, which I’d bought with money saved up from Christmas, being kicked around the floor before being frogmarched into the ground. If I remember correctly United were 1-0 down by the time we got into the ground. As a result I’ve never liked the city of Leicester, and have always tried to avoid going there since.

But anyway, after 1977 I absorbed as much Doctor Who as I could, the day after my 8th Birthday my Mum took me on the bus to Wilmslow to Argos to get my ‘real’ birthday present’, a Denys Fisher ‘Talking Dalek’ (I got the Doctor and TARDIS that Christmas) and played with it all day until the batteries started to run out (much to peoples relief)… as a special treat I was able to have my ‘birthday tea’ whilst watching the final episode of ‘Image of the Fendahl’ (which is still one of my favourite stories)

To be honest Season 15 as a whole is still one of my favourites, even Giant Prawns and poor CSO could not spoil it for me. I wasn’t aware of the previous Seasons’ highs, wasn’t aware of the changes in Production Team from Hinchcliffe to Williams… it was just Doctor Who, and to my 8 year old self it was magical

In early 1979 we moved to the West Midlands. We lived a few miles from a main ‘town’ (Tardebigge being in between Redditch and Bromsgrove) so we had a mobile library van visit our ‘estate’ once a month. Not having a clue that ‘Target Books’ existed, let alone about release schedules, I was thrilled when I happened to find a battered copy of ‘Genesis of The Daleks’ to loan… I immediately asked for ‘any more Doctor Who’… the next month I was presented with well-thumbed hardback editions of ‘Web of Fear’; The Loch Ness Monster’; and ‘The Tenth Planet’… As much as reading the books I’d spend hours staring at the covers, admiring every aspect

The biggest revelation was to come a couple of months later… and it seems incredible now that I wouldn’t have been aware of or thought of this though after borrowing them from the mobile library… YOU COULD BUY THE DOCTOR WHO BOOKS!!!
Not only that… DOCTOR WHO WAS COMING TO BROMSGROVE!!!!

Little did I know either of these things though until Mum picked me up one day from school and announced we had to get a bus to the aforementioned town… It was like all my Christmas’s and Birthdays had come at once… there, upstairs in Preedy’s, a small, newsagents, come book / record shop, in full costume was Tom Baker surrounded by novelisation’s of stories I’d not yet heard of!

Unfortunately all this was happening ‘just before pay day’ … which I now know to be a genuine time of the month which tends to last for a couple of weeks, generally starting around the 14th if you’re paid on the 1st., I know this to be true as I now use it often myself in adult life. Being ‘just before pay day’ meant I was able to choose only one book to buy and be signed by the man himself… so, after what must have seemed like hours of deliberation and queuing to my Mum I chose the novelisation of Jon Pertwee’s ‘The Curse of Peladon’ for Tom Baker to sign…

Many years later, in 1997 I lost a number of my possessions in fire when the house I lived in was burnt down… this book, with Tom’s autograph, was one of the only Doctor Who related items I’d kept with me as I’d moved around with college and work, and was genuinely sorry to lose it. That Christmas though my brother presented me with a copy of Tom’s autobiography “Who on Earth Is Tom Baker”… opening it, I found it signed…

“To Iain, Sorry to hear about the fire, Love Tom Baker”

After the revelation that these books existed I then spend much of the following 4 years visiting scouring bookshops, now helped in part by Doctor Who Weekly / Monthly with news of what was ‘coming soon’ and having my appetite whetted by Jean-Marc Lofficier’s 1981 ‘Programme Guide’ to the stories not yet published. Actually it wasn’t’ just me… I’d give lists of books I was missing from my collection to my Mum, which she’d keep in her purse and she’d ‘look’ for these when she went shopping or was out for the day with my Dad.
Even now, every now and again I do go and read an ‘episode’ as put into words by the legend that is Terrence Dicks or browse thought an old issue of Doctor Who Weekly / Monthly, reading ‘The Iron Legion’ or ‘The Time Witch’ for an hour to relive my youth (it’s strangely more satisfying than watching an episode)

My Mum indulged my love of Doctor Who in the early 1980’s, always making sure I had the latest issue of Doctor Who Weekly or Monthly (to the point of calling the newsagents in nearby Aston Fields if it hadn’t arrived when expected), and making sure I had the Doctor Who Annual at Christmas.

My Mum also invented cosplay in 1980. Well, maybe not quite; from somewhere, I don’t know where, Mum got me a full size Tom Baker scarf… so when the local Church had a Summer Fete with a ‘fancy dress’ competition I was entered… wearing an old long coat borrowed from someone, my Dad’s trilby and my newly obtained scarf I was Doctor Who… I won the boys section easily (being the only entrant) and was ‘joint’ winner of the competition over all… I was thrilled, but miffed as thought I should have been outright winner.



Now I am older I can see why I had to share the prize… the only other participant in the competition was a 5 year old girl in a fairy outfit… (I say she was 5, she may have been older… but she was younger than I was). I’m fairly sure that I didn’t get the prize as either as whatever it was would have been ‘un-shareable’ so probably would be just been promised another Doctor Who novelisation the next time Mum went shopping

This wasn’t the only time my Mum got creative on my behalf. To earn what was probably a ‘making’ badge at Cubs… (It could possibly be ‘recycling’ now) we had to create something out of household rubbish. Most of my peers chose to make shields and swords and the like… I chose to make (or rather I got my Mum to make) K9… How hard could it be? A kitchen roll tube for a tail, a square box for the body with ‘K9’ drawn on with black marker pen, and egg box for a head… Peter Purvis would have been proud of me / my Mum… Sadly K9 didn’t last the evening that it was presented as one of my fellow Cubs managed to knock his head off with a well-aimed tennis ball… cue me walking home like a Marshman from ‘Full Circle’ carrying K9’s egg box head in my hand, dragging the box/body behind me… I did get the badge though!

At some point in 1984 my parents ‘rented’ a video recorder. (It seems strange now that people used to rent TV and video recorders rather than buying them outright). The first video my parents rented was ‘Police Academy’ at the cost of £8 for the weekend. We must have watched it 3 times to get our money’s worth…

I made sure I got our money’s worth out of the next video that got rented… during the first weeks of the summer holidays… ‘Revenge of The Cybermen’, I’m not sure if I’m correct but I am fairly sure I am, my Mum rented this for £10 for a whole week from ‘Owen Owen’ in Redditch, which if I remember correctly was a mainly a furniture and housewares store. Strange how they’d be renting VHS tapes, especially ones that may have had a ‘niche’ appeal… I must have watched it daily for that week, praying for the day when other stories would be released. (I think my family were praying also as I knew the edited compilation word for word)

Later that summer I travelled to Blackpool with my parents for a week, from what I can work out my last ‘family’ holiday with my parents. Other than record shops and bookshops the only thing of interest to me was the ‘Doctor Who Exhibition on Blackpool’s Golden Mile… After visiting the exhibition on probably the first day of our trip, somehow, my Mum managed to persuade the people that ran it to agree to me going back to dress up as a Cyberman and ‘promote’ the exhibition the following day.. And the day after, and the day after that… By the 3rd day I was wearing David Bank’s Cyberleader costume that he’d worn in ‘Earthshock’ and ‘The Five Doctors’
















I did spend a couple of hours in the ‘Dalek’ but found that most passers-by thought it was amusing to kick it or try to push it into the wall… being a Cyberman was much more fun as you could scare the shit out of the parents who has seconds earlier been telling their kids that there was nothing to be scared of and it ‘wasn’t real’ as they walked passed you into long dark corridor at the start of the journey through the exhibition. I vividly remember grown men jumping out of their skin as a gloved Cyber-hand was placed on their shoulder…

The only other thing I remember about that holiday was using the same persuasion I’d used back in 1976 to get my ‘Amazing World Of Doctor Who’ book… even though Blackpool wasn’t as far as Bournemouth I persuaded my Mum to let me have my ‘pocket money’ to buy the Sex Pistols ‘Flogging A Dead Horse’ compilation … My Dad wasn’t too impressed when he saw the plastic turd on the back sleeve… I don’t think he appreciated the music much either. Buying that record would signal something else to come… something possibly bigger than my love of Doctor Who
I don’t want to give the impression that my Dad didn’t welcome or support my fixation with the TV Series, or ‘Doctor Bloody Who’ as he called it, or ‘this rubbish’ on the off chance he was in the same room as it was being broadcast. Years later, in the early 1990’s after he mentioned over tea that one of his colleagues had got BskyB Satellite TV in order to watch football, I enthusiastically explained that they were repeating early Doctor Who for the first time on UK Gold. For a couple of years, until I persuaded Dad to get it ourselves he would regularly buy packs of blank VHS video tapes so that his colleague ‘Nan’ could / would get up early every Sunday morning to record my favourite show. (Years later I asked why she hadn’t just set the timer, she explained they my Dad had told her how much being able to see these old shows meant to me and she feared missing even a few mins)
After leaving school and starting work in 1986 I met a few likeminded souls, some of whom had obtained 3rd or 4th generation VHS tapes of old episodes. As we only had one video recorder in the house I had to wait for my parents to be out at a Legion Meeting for the evening, or Saturday / Sunday afternoon when nothing else was on ‘main’ TV before I could watch. My parents were respective Presidents of the Men’s and Ladies Sections of Handforth Royal British Legion so thankfully their ‘official duties’ meant there were often occasions to do this. I remember watching copy of ‘The Ark’ with my Mum… I’m sure she was more taken with my enjoyment and enthusiasm watching a blurry 1960’s TV Show with a knackered horizontal hold and muffled sound than she was than with the actual show itself! 

If it wasn’t for my Mum’s encouragement I don’t know if my ‘obsession’ with Doctor Who would have lasted so long. I’m sure some people would think that it’s an unhealthy thing also, especially as until the relaunch of the show in 2005 being a ‘Doctor Who fan’ was derided by many, but I’ve formed many friendships and had opportunities arise due to it.

Within ‘fandom’ there is often the opinion that Doctor Who fans can’t also appreciate or wouldn’t be interested in things. For me that isn’t true, as I have just as many friends through a mutual love of legendary DJ John Peel, and the music he played and introduced to the masses and football, specifically Manchester United, where I have been a regular for over 30 years
Actually depending on how well people really know me they would say that outside of family my main obsessions are music and football. The first of these probably being the biggest as I spent many enjoyable years working in that area… which brings me to another reason for not liking Leicester! During 1996 a band I was managing were playing at the ‘Princess Charlotte’ a good little venue on the indie circuit. For some reason the locals decided we were from Liverpool rather than Manchester and taken a dislike to us. Our battered ‘Dodge’ tour bus was showered with bricks and bottles as we tried to load the gear back into it and Britz, our driver had to driver around the ring road which the venue sat on to pick up the various members of the band as they stumbled out of the venue or broke for cover.

Anyway, I digress… other than a couple of years in the late 1980’s when alcohol, the Madchester scene and going out became more of a thing I never have really lost my love of Doctor Who (the Sylvester McCoy era initially passed me by but I caught up via VHS). In my early 20’s my love for the show was fully reignited when a friend bought me ‘The War Games’ VHS for my 21st birthday in late 1991. With me being a completest the collecting bug bit again, whether it be an official BBC release or a compilation recorded off UK Gold (and has only just recently finished over 27 years later with the release of ‘Shada’ BluRay)

It does seem a shame that since the birth of the Internet the art of searching things out and the joy of finding them has pretty much been taken away (unless you’re collecting them for the sake of owning the physical article… although a search on eBay is pretty much guaranteed for most things!)
It would have been unimaginable back in my youth when I started first collecting Target Books that I would one day have copies of all of them; plus issues of Doctor Who Weekly on my iPad and existing episodes on DVD and on a hard drive.

In more recent years my fandom has often been indulged by my friends…  Nikki, who knowing I was in London whilst Russell T Davies was signing ‘The Writers Tale’ in Manchester, drove from near Birmingham to get me a copy for my birthday (and ended up spending a few minutes discussing shoes with the aforementioned showrunner) and Phil who bought me a gold talking Dalek for Christmas in 2005 (both of which I still own).

Nikki also bought me a piece of Doctor Who autographed memorabilia… a page of the script from Tom Baker’s ‘Warriors’ Gate’ signed by Sylvester McCoy… that’s still on the wall.

My Mum passed away on 30th April 2007. As anyone losing someone will know ‘normality’ goes out of the window for a period of time. It was mid-June before I got around to catching up on TV and getting back to ‘normal’. I sat down to watch the Doctor Who episodes I’d recorded (‘Evolution of The Daleks’ to ‘The Family of Blood’) in a marathon session on Sunday 3rd June.

I’d never read any of the ‘New Adventures’, the programmes ‘wilderness years’ being a time when I was going out and doing other things, so wasn’t aware of the epilogue to the ‘Human Nature’ story…

Whilst apparently some of the sentiment was changed for the televised version, I found the ‘Remembrance Day’ scene completely heart-breaking but completely fitting, whist it was tying up the Paul Cornell’s story, for me personally it felt like my favourite show was also paying its own respects to my Mum too

Iain Key 2016/17

Monday, 31 October 2005

Northside Biography (2005)

Northside Biography


I wrote this in 2005 for the LTM Records re-release of 'Chicken Rhythms' released that same year
It was also used (with permission)  by 'Manchester and District Music Archive' 



In another world, Northside would have become the next great Factory band after Joy Division / New Order and Happy Mondays, going from strength to strength throughout the 1990s.

Sadly, in this world, it wasn't to be.

Right place, wrong time? Maybe.

When Chicken Rhythms was released during the summer of 1991 it was on the back of two fabulous singles. Shall We Take A Trip was banned by the radio but hovered on the outskirts of the Top 40 for several weeks. My Rising Star - a classic slice of Indie pop which still fills dancefloors to this day, and preceded Take 5.
So what happened? Where did it all go wrong?

1991 saw a shift in what was seen as cool. The Madchester scene, which had started around 5 years earlier and built up by the popular music press, was on the wane. No longer were New Fast Automatic Daffodils, Inspiral Carpets, The High, and the like guaranteed front pages, instead they were replaced by Nirvana, Soundgarden, Alice In Chains and countless other grunge acts from the Seattle area of the States.
But we're getting ahead of ourselves.

When I close my eyes, the future begins
Northside were formed at the beginning of 1989 in Blackley and Moston areas of North Manchester by Man United fan Warren 'Dermo' Dermody (vocals) and Man City supporter Cliff Ogier (bass). They were joined by Michael 'Upo' Upton (guitar) and Paul 'Wal' Walsh (drums) soon after.
At the time Moston was a typical working class area, suffering following Thatcher's recession, but with the arrival of 'E' around 1986/87 and the emergence of the Acid House scene, the mood began to change. Reflecting in 1990, Dermo explains, "it used to be all football and violence but now it's chilled."
Local heroes The Stone Roses were becoming a force to be reckoned with in popular music, bands like James were finally getting noticed after many years of trying, shops like Eastern Bloc on Oldham Street become the place to hang out during the day and then the Thunderdome on Oldham Road at night, listening to tunes and being seen. Often fuelled on drugs, alliances were made, many of which remain to this day.
These factors, mixed with a healthy dollop of punk DIY attitude, led to the formation of many bands, supported by their mates, their families, and with a desire to do something different, to tell the truth, to make people sit up and take notice.
Six months on from their first practice in February, Northside recorded their first demos in August at The Cutting Rooms, part of Abraham Moss College. These received regular plays on the show hosted by Tony the Greek's on Piccadilly Radio, as well as Craig Cash on KFM, Stockport.
With their popularity growing, the band made their debut live performance at Manchester's Boardwalk venue on September, which sold out by word of mouth. Not long afterwards the band received a visitor at their practice rooms, Tony Wilson (no 'Anthony H' back then), who offered them a recording contract. After agreeing in principle they were given a lift home in his Jag!
By the end of 1989 the band had played a now legendary gig with Happy Mondays at Manchester's Free Trade Hall (18 November) and the Haçienda Christmas Party (17 December, with support from Paris Angels). A deal with Factory was formalised in February 1990. They even managed to change guitarists along the way with Timmy Walsh (another Red) replacing Upo.
March 1990 saw the celebrated Granada Television documentary Madchester - The Sound of The North hit the screen. The programme featured a lengthy profile on Northside, and gave people a hint of what was to come, with a live performance of My Rising Star ("the first love song we've wrote") at Holland Street Sports Centre, Miles Platting.
Meanwhile in April the band headed off to London to record their debut single, produced by Ian Broudie (of Lightning Seeds and Three Lions fame).
Upon their return, with the Strangeways prison riot in full swing, Northside found their home town besieged by the media. More personally, a close friend of the band, Robo died in tragic circumstances, less than a year after Dermo's brother Steven, who'd named the band. The debut single was dedicated to them.

Answers Come In Dreams
In an unsurprising move, perhaps characteristic of the label, the first single Shall We Take A Trip was released on 2 June 1990 and promptly banned from daytime radio and several High Street stores due to its numerous drug references - with an opening line of 'L-S-D' would you really have expected otherwise? It reached 50 on the national chart.
A double A-side, Moody Places had been and band's choice for the lead track. Both songs were picked up by local television for use on Granada Soccer Night, where it would remain a fixture for the next two years on Wednesdays and Sundays.
The single boasted a sleeve by Central Station Design and featured a plum (yes, a plum, not an apple!) which was to become synonymous with the band's image. A 7" version was produced but never made it past the promo stage, the majority of these being used as frisbees from the high rises of the local Miners Estate.
A video was produced, taken from an appearance at the Haçienda (which had been originally broadcast on Granada TV a month earlier). Again, in a typical move by Factory, the version of the song on the film was faster than the single, so they slowed it down.
The band built up a loyal live following throughout the early months of 1990, as their songs, influenced by reggae, punk, and psychedelia blossomed. The band headed off abroad, playing gigs in Europe, Japan and America - the latter including three nights at the New Music Seminar in New York. France was perhaps the most notable place at the time, on the first trip to Paris the group found themselves playing next to the Moulin Rouge and had to soundcheck in the morning so not to disturb the exotic dancers. On the second a passport was lost following a visit to the Midem music festival, which resulted in band and entourage being held at gun point.
To capture the youth and energy of the band, they were quickly put in the studio with future Baddiel and Skinner collaborator and Lightning Seed, Ian Broudie at the helm. Aided by engineer Cenzo Townsend, the album was recorded at The Windings and Amazon, both in Liverpool, and Rockfield in Monmouth whose visitor book was signed by such luminaries as Black Sabbath, Iggy Pop and Paul Weller.

Do You Have A Dog?
expectations were high, and following a successful UK tour (supported by hand picked local acts), second single My Rising Star was released (on 7", 12" and CD) in late October 1990. MSR broke into the Top 40 at 32, and came with a video filmed on top of Manchester's Arndale Centre which featured a cameo from the local police helicopter.
The sleeve, again designed by Central Station, this time did feature an apple.
The band were invited to open the first night of the Great British Music Weekend in January 1991 at Wembley Arena, broadcast live over three nights on Radio One. Despite pleas from the station not to play their first single, Shall We Take A Trip, the band started with this number, causing the station to stop its live broadcast for several minutes. Curiously the band had opened an 'In Concert' programme from Sheffield University for the station with the same track a couple of months earlier without being censored. However, this incident did not stop the station allowing the band to perform a live set for Mark Radcliffe's 'Hit The North' BBC Radio 5 show.

Gonna Blow Your Mind
A third single, Take 5 (released on 7", 12" and CD) hit the UK Charts on 1 June 1991, the same day that the band played with Happy Mondays, The Farm and the La's at Elland Road stadium, Leeds and were named by many, including the music monthlies, as the highlight of the day.
Perhaps disappointingly, rather than keeping with the fruit theme (a Warhol banana pastiche maybe?) the Central Station cover art this time featured a shot of a plastic motorcyclist on the front, and - bizarrely - a windmill on the reverse. Who knows what it means? Only Matt and Pat.
With the "64-46-BMW" refrain lifted from Reggae super star Yellowman's Nobody Move, Take 5 was well received, but due to a barcode mix-up the boys were cruelly robbed of a higher chart position on its first week, entering at 41. By way of an apology the band were invited to make their Top of the Pops debut, Despite being outside of the Top 40 (the first band to ever be given the honour).
Released simultaneously by Geffen in the States, Take 5 was one of the last British pop songs to perform well on the American modern rock radio stations before they were taken over by home grown grunge. A 'fourth' single, Tour De World, would later be lifted from the album and released only in the US.
Take 5 also reached No 1 in Canada, before being deposed by future grunge anthem Smells Like Teen Spirit.

What Goes Up, Must Come Down
The band were on a high, but then the backlash started.
Chicken Rhythms was released on 17 June 1991. The iffy cover art for the album (again by Central Station) was produced using children's birthday cards, with photos of the bands heads imposed on the top. Possibly it didn't help the band's image, while the inner sleeve (along with the album title) was the work of Dermo's younger brother Dean, then aged just 16.
Despite reaching the Top 20, the album received mixed reviews in the UK, although Q magazine called it "surprisingly durable", while some American papers awarded it received more stars than Nevermind by Nirvana, released that same month.

But Time's Not Standing Still
After touring the album and making a lot more friends along the way Northside entered the studio to record their second album, and plotted a fourth single, Want A Virgin (Cool Idea). Demos were recorded throughout 1992.
Sadly, both single (designated Fac 338) and album remain unreleased to this day due to the well-documented demise of Factory Records. Had it appeared, the second album would probably have seen the band reach a wider audience, with a harder sound, but that's for another day.
Now, ten years after Britpop aid the American Invasion to rest, it's worth listening to Chicken Rhythms again. Long deleted, it has become a cult classic.
So enjoy this forgotten gem.

Iain Key
June 2005








Tuesday, 2 March 1999

Just Work (1999)

Written when I was at 192... funny really reading this over 20 years later as it was one of the most enjoyable jobs I ever had... I guess on this day I really must have been having a bad day...


Just Work

I hate my job.

I sit, everyday, wishing I wasn’t so fucking lazy, wishing I could get motivated, wishing I could break out of the fucking rut I’m in.

I hate my job.

My mind wanders, remembering what I’ve done, where I’ve been, what I’ve seen. I wonder how the fuck I’ve ended up here.

I hate my job.

I look at the screen as the call comes in, I adjust my position and spread my hands over the keyboard.

‘…which name please.’

 A nasal sounding North Manchester accent cut in. ‘It’s Jimmy’s mate.’

‘In which town.’

 ‘It’s Jimmy’s’

‘Jimmy’s in which town please,’ I close my eyes and curse in my mind, I need to get out.

 ‘Jimmy’s mate, on the main road.’

‘Yeah, but which town?’

 ‘Jimmy’s mate, in Failsworth.’

I breathe a sigh of relief, ‘Failsworth, thank you.’ I enter the information and watch the computer carry out its search. No trace, ‘Sorry I’ve got nothing called Jimmys in Failsworth.’

 ‘What? You must, it’s Jimmy’s, Jimmy’s Off Licence, on the main road, opposite the pub. He’s been there years you must have the number.’

‘Sorry, there’s nothing called Jimmy’s listed.’

 ‘No mate, its not called Jimmy’s, it’s where Jimmy works.’

‘I need the name of the off licence, not the name of who works there.’

 ‘Come on it’s Jimmy’s. Everyone knows Jimmy. It’s Jimmy’s Off Licence on the fucking main road. You must know Jimmy mate.’

‘Sorry I don’t. I need the name of the off licence if you want the number.’

 ‘Listen, I need me gear. Jimmy’s got it. Call him for me and tell him I’ll be round at 4.’

I’m trying to keep calm, not to swear, you never know who may be listening. ‘Mate, this is directory enquiries, if you want a number I need the name of the shop to be able to find it.’

 ‘You don’t know Jimmy? Fuck I thought everyone knew Jimmy.’

‘Do you know the name of the Off Licence.’

 ‘Oh mate, if I fucking knew I would have told ya. It’s Jimmy’s.’

I’m bored now. It isn’t funny anymore. I cut him off.


‘…which name please.’

 ‘TSB, Bury.’

At last, an easy one. ‘TSB, Bury. Thank you.’ I find the number and send it off to the automatic voice. It’s nearly time for my dinner break.


‘…which name please.’

   ‘Hello?’ (The voice was old, a woman).

‘Directories, which name please.’

 ‘Is that directories?’

‘Yes this is directories?’ (Oh God here we go).

 ‘Where you get phone numbers?’

‘Yes, which name please?’

 ‘What my name?’

‘No the name you’re looking for.’

 ‘Oh, I’m not really sure.’

‘Is it business or residential?’

 ‘It’s where I get my gas from.’

‘British Gas?’

 ‘Is that where I get my gas from love?’

‘It will be. Which department is it you’re looking for?’

 ‘I’m not sure.’

‘Is it about you’re account.’

 ‘Oh no, it’s about my gas bill.’

I’m so tempted to get rid of her on the automatic voice. I consider it, seriously consider it but then decide it wouldn’t be fair, I imagine it being my Mum or Dad calling in... ’right the number is…’

 ‘Hang on, I better put my glasses on,’ I hear her fumbling around, ‘OK love.’

‘It’s 0845…’

 ‘Oh wait a minute, don’t go too fast. 0845…’

‘55’

 ‘55’

‘55’

 ‘I’ve got that bit love.’

‘No, after the first 55, there is another 55.’

 ‘So it’s 55 and the 55. Is that it love?’
 
‘Double 0’

 ‘I don’t know if I can remember all that love. Let me get a pen and write it down.’

I smile...

 ‘I’ve got a pen now love.’

I should have been on my dinner 2 minutes ago. ‘OK, it’s 0845’

 ‘0845’

‘Double 5’

 ‘Double 5’

‘Double 5’

 ‘Double 5, this is where I got mixed up wasn’t it love?’
 
I laugh, but I need a break, I need a drink, ‘Double 0.’  

 ‘Double 0, is that it love?’

‘It is.’

 ‘Oh thank you love, I’m 73 and I’m on my own. You’ve been very kind.’

‘Don’t worry,’ I can’t be annoyed, ‘are you sure you got the number OK.’

 ‘I’ll read it back to you. 0..8..4..5...55..55..00.’

‘That’s it.’

 ‘Oh bless you love, my Arthur used to deal with all this but he died last year. Sometimes I get all muddled and don’t know what I’m doing.’

‘Are you OK now though?’

 ‘I am love, you have a nice day.’

‘I will, thank you.’

And with that she was gone. I made her happy, just by treating her like a human being instead of another number or another name. I feel like such a twat, even thinking I should get rid of the call...

Maybe I need a change.

I unplug from my position and head to the lounge for a coffee, I need it.