Just Work (1999)

Written when I was at 192... funny really reading this over 20 years later as it was one of the most enjoyable jobs I ever had... I guess on this day I really must have been having a bad day...


Just Work

I hate my job.

I sit, everyday, wishing I wasn’t so fucking lazy, wishing I could get motivated, wishing I could break out of the fucking rut I’m in.

I hate my job.

My mind wanders, remembering what I’ve done, where I’ve been, what I’ve seen. I wonder how the fuck I’ve ended up here.

I hate my job.

I look at the screen as the call comes in, I adjust my position and spread my hands over the keyboard.

‘…which name please.’

 A nasal sounding North Manchester accent cut in. ‘It’s Jimmy’s mate.’

‘In which town.’

 ‘It’s Jimmy’s’

‘Jimmy’s in which town please,’ I close my eyes and curse in my mind, I need to get out.

 ‘Jimmy’s mate, on the main road.’

‘Yeah, but which town?’

 ‘Jimmy’s mate, in Failsworth.’

I breathe a sigh of relief, ‘Failsworth, thank you.’ I enter the information and watch the computer carry out its search. No trace, ‘Sorry I’ve got nothing called Jimmys in Failsworth.’

 ‘What? You must, it’s Jimmy’s, Jimmy’s Off Licence, on the main road, opposite the pub. He’s been there years you must have the number.’

‘Sorry, there’s nothing called Jimmy’s listed.’

 ‘No mate, its not called Jimmy’s, it’s where Jimmy works.’

‘I need the name of the off licence, not the name of who works there.’

 ‘Come on it’s Jimmy’s. Everyone knows Jimmy. It’s Jimmy’s Off Licence on the fucking main road. You must know Jimmy mate.’

‘Sorry I don’t. I need the name of the off licence if you want the number.’

 ‘Listen, I need me gear. Jimmy’s got it. Call him for me and tell him I’ll be round at 4.’

I’m trying to keep calm, not to swear, you never know who may be listening. ‘Mate, this is directory enquiries, if you want a number I need the name of the shop to be able to find it.’

 ‘You don’t know Jimmy? Fuck I thought everyone knew Jimmy.’

‘Do you know the name of the Off Licence.’

 ‘Oh mate, if I fucking knew I would have told ya. It’s Jimmy’s.’

I’m bored now. It isn’t funny anymore. I cut him off.


‘…which name please.’

 ‘TSB, Bury.’

At last, an easy one. ‘TSB, Bury. Thank you.’ I find the number and send it off to the automatic voice. It’s nearly time for my dinner break.


‘…which name please.’

   ‘Hello?’ (The voice was old, a woman).

‘Directories, which name please.’

 ‘Is that directories?’

‘Yes this is directories?’ (Oh God here we go).

 ‘Where you get phone numbers?’

‘Yes, which name please?’

 ‘What my name?’

‘No the name you’re looking for.’

 ‘Oh, I’m not really sure.’

‘Is it business or residential?’

 ‘It’s where I get my gas from.’

‘British Gas?’

 ‘Is that where I get my gas from love?’

‘It will be. Which department is it you’re looking for?’

 ‘I’m not sure.’

‘Is it about you’re account.’

 ‘Oh no, it’s about my gas bill.’

I’m so tempted to get rid of her on the automatic voice. I consider it, seriously consider it but then decide it wouldn’t be fair, I imagine it being my Mum or Dad calling in... ’right the number is…’

 ‘Hang on, I better put my glasses on,’ I hear her fumbling around, ‘OK love.’

‘It’s 0845…’

 ‘Oh wait a minute, don’t go too fast. 0845…’

‘55’

 ‘55’

‘55’

 ‘I’ve got that bit love.’

‘No, after the first 55, there is another 55.’

 ‘So it’s 55 and the 55. Is that it love?’
 
‘Double 0’

 ‘I don’t know if I can remember all that love. Let me get a pen and write it down.’

I smile...

 ‘I’ve got a pen now love.’

I should have been on my dinner 2 minutes ago. ‘OK, it’s 0845’

 ‘0845’

‘Double 5’

 ‘Double 5’

‘Double 5’

 ‘Double 5, this is where I got mixed up wasn’t it love?’
 
I laugh, but I need a break, I need a drink, ‘Double 0.’  

 ‘Double 0, is that it love?’

‘It is.’

 ‘Oh thank you love, I’m 73 and I’m on my own. You’ve been very kind.’

‘Don’t worry,’ I can’t be annoyed, ‘are you sure you got the number OK.’

 ‘I’ll read it back to you. 0..8..4..5...55..55..00.’

‘That’s it.’

 ‘Oh bless you love, my Arthur used to deal with all this but he died last year. Sometimes I get all muddled and don’t know what I’m doing.’

‘Are you OK now though?’

 ‘I am love, you have a nice day.’

‘I will, thank you.’

And with that she was gone. I made her happy, just by treating her like a human being instead of another number or another name. I feel like such a twat, even thinking I should get rid of the call...

Maybe I need a change.

I unplug from my position and head to the lounge for a coffee, I need it.

Northside Interview - Big Issue (1995)

Interview for the Big Issue in 1995 for a gig that never happened

Not exactly sure why. It may have been something to do with one of our 'crew' having an altercation with a punter at the venue when we went to check it out a couple of weeks earlier

The Smiths - All Men Have Secrets (1995)

I think these are the earliest pieces I'd written after seeing an ad in the back of the NME a couple of years earlier asking for contributions to a book written by fans of The Smiths

They were published slightly after the Anthony H Wilson Interview but they were definately written a long time before

Long before having a computer I’d have written these in my best handwriting and posted them up to those putting it together... I’m sure they would have been pleased by the brevity of my submissions

The book was published in September 1995 by Virgin Books with a forward by the legendary John Peel

Tony Wilson Interview (1995)

Tony Wilson Interview

Originally for the 'Big Issue' - this is an interview I did with Anthony H Wilson back in 1995

It was republished on the Cerysmatic Factory website in November 2019 

https://cerysmatic.factoryrecords.org/2019/11/in-conversation-with-anthony-h-wilson.html?utm_source=feedburner&utm_medium=twitter&utm_campaign=Feed:+CerysmaticFactory+(Cerysmatic+Factory)&m=1

In conversation with Anthony H. Wilson by Iain Key

I think it's safe to say that everyone who ever came into contact with Tony has at least one
"Tony Wilson Story".

My Dad and I had season tickets in the South Stand at Old Trafford for many years about
6 rows behind where Tony and Oliver, or other friends would sit. Every game we'd watch
the players come out, the toss of the coin, the teams line up for kick-off. Then, normally,
within a couple of minutes of the match starting, Tony would arrive causing those on his
row to stand, and those around hm to strain to see past if anything of interest was happening.

Whilst making his entrance Tony would apologise, shake hands and wave, occasionally
I'd get a nod in my direction.

I think my Dad actually enjoyed having Tony sitting in our block as when he spoke about his
religion - Manchester United, he'd always mention the late arrival and wished that "the bugger
off Granada" would buy a watch and then with some irony comment "he's always on the TV,
never late for that...".

I'd then often then hear other people pick up the thread with the line, "that Tony Wilson...".

Ironically, my first meeting with Tony involved him being late as well. My friend, Ian, and
I were doing a project on Factory Records for college in early 1995 and we had invited to interview him.
We arrived at the time agreed, were shown into his office and then waiting for 2 hours.
He'd been at awards do in London the night before and had been delayed.

As with his late arrivals at Old Trafford though he was apologetic and very personable.

I transcribed the interview we did that day with the idea I could submit it to The Big Issue.
I ran it past Tony and he (politely) dismissed it as boring, pedestrian and nothing new, which
in fairness it was. It was the same story that anyone who knows the history of the label could relate.

Rather than tell me this over the phone or by letter though I was invited back into the Factory office and
Tony explained his feelings and suggested I try again. To assist me he lent me a couple of books, one
of interviews with politicians and one with musicians and artists and told me to read them and go back
to him on the afternoon of Monday 22nd May.

I remember being nervous when I arrived, I'd been given a second chance and I really didn't want to
blow it.

This interview was going to by an attempt to look beyond the caricature and break down some of the
perceptions people held, hence the limited questions about Factory or Factory Too (as it was then).

I still vividly remember sitting on the metal staircase just outside the office in Little Peter Street on a
warm spring afternoon with a dictaphone between us, being in the company of one of the most
charismatic individuals you could ever hope to meet.

I rushed home, on a high to listen to the recording, and was mortified to realise the batteries were dying
meaning that we sounded like chipmunks on helium. Not to be put off I soldiered on and transcribed
the piece, sending it back to Tony for approval.

It was nearly a month before I heard anything back due to Tony being away. What impressed me was
he'd not just read and approved what I'd sent, he'd been through it and made notes and changes
"to make sense of his rambling".

So that's my Tony Wilson story, rather than dismiss the first piece of work I'd offered, which would
have been the end of it, he gave me feedback, encouragement and and opportunity to produce the best
piece of work I could which was printed in the Big Issue in August 1995.

Nearly 25 years later I still feel blessed and proud to have had that opportunity.

- Iain Key, Stretford, November 2019



With a career in television, journalism and music spanning over 20 years Anthony H. Wilson, Granada
stalwart and co-founder of Factory Records, love him or hate him, is one of the most well known faces
in the North West.

He's a Manchester United and Eric Cantona fan and probably as close to a professional Mancunian
you'll find.

Monday 22nd May, the country is seeing its 2nd glimpse of summer and Manchester is not the dour,
gloomy city some would have you believe. Anthony Wilson is in a brilliant mood, despite the team
he's supported since a boy failing to hold onto either their League Championship or the F.A. Cup.

How disappointed were you?

I actually wasn't that disappointed the previous weekend because a) I think it's boring if we win
everything all the time and b) for me it was important for Eric’s myth. He won the League
Championship in 1991 in France, 1992 with those tosspots from Leeds and in '93 and '94 with
United. So you see it adds to the myth, the one year he wasn't playing he didn't win the League.

Poetic?

Yes, poetic, I didn't feel too bad but I did perceive they'd win at Wembley. I wasn't depressed by the
game, but I was depressed that Paul Ince who is fantastic had a shit game from beginning to end
and as far as I'm concerned we didn't actually get beat in either game .

We certainly didn't get beat by West Ham and it wasn't as if we actually got beat by Everton.
The result was down to Mr Southall and his do or die heroics, so yeah, I'm a bit pissed off.

So was the season a disaster?

No, having won the League twice, a wonderful achievement, and to have pushed Blackburn so far
without deserving to was great. My season was complete when Crystal Palace got relegated.

Why?

Everyone in the country seems to hate United but the level of hate and sheer nastiness from the
Crystal Palace supporters was sickening.

As you are such a well-known face in the North West and have such a strong personality, 
do you think it's fair to say people either love you or hate you?

I think it's something people don't talk about in the media, we're not national celebrities.
The easiest way to explain is if you ask people who Mike Neville is, 90% won't have heard of him.
Do you know who Mike Neville is?

No.

In one fairly significant area of Great Britain, the North East, he is bigger than the Pope. He's
been the local TV presenter for years and years, and he's bigger than the Pope, George Michael and
Elvis rolled into one.

That’s what happens with regional TV presenters to a greater or lesser degree. I've been at
Granada for 20 years and it’s a strange phenomenon that people are aware of me because of my
personality. In 1973 I did a feature for Granada with Emmylou Harris and I asked her to do a song
she'd recently recorded by Gram Parsons. Anyway she couldn't but that night at the Manchester
Free Trade Hall she said "I'm going to do a song now for a nice young man I met this afternoon called
Tony Wilson", almost immediately 2000 people stood up and shouted 'WANKER!'.

Par for the course really but I think it ruined her concentration. So yeah, it goes with the territory really.

Have you ever been misunderstood?

Liverpudlians have a problem with me. These people at the end of the M62 think I have a problem with
Liverpool, I love Liverpool. To be honest I don't think they've ever forgotten or forgiven me for the
Brugge rosette.

What was that?

Liverpool were playing Brugge in the Semi Final of the European Cup, this is years ago, and I
was told that under no circumstances was I to mention that night’s game. So I didn't, I just wore this
fucking great white Brugge rosette.

Do you ever get worried about over exposure?

No, I do 4, 13-week series a year for Granada and it's up to them when they show them. Do you think
I'm on TV too much?

Sometimes.

I don't think I'm on enough. I'm a red light junkie. I work my bollocks off and I think I should be on
more often.

With working at Granada and also running Factory Too, do you find it difficult to split your time 
between the two?

No, I don't really, at Granada I'm a hired hand, a journalist and I work for them. It can be difficult
because I do a lot of travelling, but at Factory though I'm only~~ ;!lking head\A and I've got a great
team of people working with me.

Do you get a greater satisfaction from one over the other?

No (pause). It's a strange thing but I still see journalism as a craft, like being a plumber or a carpenter.
I served my apprenticeship to do this job.

Moving on to Factory and music, in a recent article in VOX you drew parallels between 
'No One Here Gets Out Alive' and Deborah Curtis's book about Ian and Joy Division. 
Do you think there will be a Doors type 'Joy Division revival' ?

I think, yes, to a degree, what is happening in the media - there is a generation that has come of age
who understand the importance of and significance of Joy Division. I really thought that Paul (Morley)
would write the book. Yes, there will be a degree of a revival.

Do you think it's a good thing that the book has been written?

Oh yes, the more books the merrier, but I think the book is a little short really.

It seems to be more 'pre-fame' than when things were happening.

Well yes, Debbie is telling her story and understandably it’s from that period. When a band, any band,
gets going it always happens that the wife is an outsider, a rock ‘n' roll casualty. I was thinking about
this the other day, the scene of the band travelling up and down the M1 in a transit, which is something
that most Manchester bands go through. The wives or girlfriends do feel shut out because that's a lads
thing.

Have you read the book yet?

Bits - from what I have read it's like 'Tony Wilson treated me like shit. I don't intentionally treat anyone
like shit but I can imagine what Debbie or anyone would feel. Until you get to playing Wembley Stadium
with the baby changing and hospitality suite next door - that's what's going to happen.

Do you ever get pissed off talking about Joy Division?

No, never, not at all. I'm still very surprised that I was fortunate enough to work with Joy Division.
It's exactly the same as walking down the corridor at Granada and this guy goes 'Hello Tony', what gets
me is do I call him Ken or Bill because you don't expect these mythical creatures, like Ken Barlow, to
talk to you. I feel the same way about Joy Division, a bit other-worldly but I feel very strongly that
people should know about it, and listen to the wonderful music.

Pete Waterman recently paid tribute to you over the 'In The City' festival, and you are revered by 
the music press. Are you the most important person in the music industry outside London? 

No, people see me for things like Factory; the Hacienda; and 'In The City' but yous ~ the Hacienda is
really Rob Gretton, 'In The City' is run by my girlfriend and partner Yvette Livesey, and Factory over the
years in general has been run by all the people who are a lot cleverer than me. as with all these things
I'm the 'talking head', the middle class wanker who went to Oxbridge and so I end up being the face of
all these things and people get confused, they think / I'm the face and therefore I must be the thing itself,
which I’m not.

With Factory it was Rob (Gretton) who thought of the idea. I thought we were just going to get our
bands signed to other labels. I get the credit for these things which is hard on everybody else.
It's all down to my face and lazy journalists

.

You are presently arranging a Computer Festival for 1998 to celebrate the creation of the 1st 
modern computer being developed in Manchester. Why?

It's absolutely essential. I have friends regularly coming across from America and they get the Wilson
tour of Manchester. First I take them to the Hacienda, then at 2 o'clock in the morning they get driven
past Foo Foo's to see 500 drunken post-menopausal women falling out of the club which they think is
amazing.

The next stop is the Daily Express building and then I take them to this unlit park in the middle of the
University, where no-one ever goes, and to this little alley and this little building with a plaque on the
wall that says "the world’s 1st computer ran here in 1948"; and then I laughingly point out that
Rutherford split the atom 2 doors down.

If this had been anywhere else in the world they'd have built a fucking theme park and have brass bands
playing. I'm a Salford lad and I didn't know 'til I was 31 that Manchester won the race ahead of
Teddington and Philadelphia.

So I think it's very nice, and important, for the people of Manchester to know that a) our city was the
scene for both the 1st and 2nd industrial revolutions and b} for the rest of the world to know. So we
should celebrate this.

Do you think Manchester underrates itself?

Yes, it's almost like this wonderful thing of not selling ourselves to anyone because we can't be bothered.
It's typically Mancunian just not to tell anyone. In fact United’s success over the years has been so overt
with the likes of Edwards, Law, Best, Charlton, Robson and Giggs that when we do get overt everyone
gets upset.

Yes, we underrate ourselves, but the opportunity to celebrate the computer is too good to miss.

Is there anything you'd still like to achieve?

Yes, loads (laughs). It seems you have music, TV, computers, so If you really wanted to achieve anything
or be involved in anything you can. People find it strange but I feel excited about every record I'm putting
out as I did with 'Transmission' or whatever. I've lots of ambitions, loads. One thing is a movie that was
being done with 2 very talented Geordies that would have been, and still will be, one of the best British
movies ever made. Before I die I want to see it made.

Is there anything you're glad you've never been asked?

Very good question (long pause). Yes, there are probably one or two things in my life that I'm
embarrassed about, but I'm not going to tell you.

I think you make mistakes and that's part of the process. One thing I hate being asked is "What would
you have on your gravestone?".

What would you have on your gravestone?

"The perfect client" as Ben Kelly, the architect calls me. Generally speaking I'll answer anything -
it's my day job. That's probably why people say I'm a bullshitter, this bizarre reputation I have which
I find insane, I wish I was.

--

Next time Tony Wilson is on your TV, don't switch channels, he may not be the man you think he is.

--

IN CONVERSATION WITH ANTHONY H. WILSON

QUESTIONS, INTERVIEW AND TRANSCRIPTION - IAIN KEY

MAY/JUNE NINETEEN NINETY-FIVE

--

Transcription and editing from original draft by John Cooper, 2019

Original Anthony H Wilson Interview (1995)

This is the first interview I did with Tony which he rejected

He was right of course... whilst interesting there is nothing new here and it’s just the basic story of Factory Records

The Primitives - Manchester International (1988)

While looking for something else this fell out of a book

Trumps anything else I wrote as being the earliest thing! Didn’t even know it existed!